From the first 2010 World Cup broadcasts on ESPN, my fellow tweeters cracked jokes about The Lion King. We imagined Rafiki calling the matches, or James Earl Jones (who provided the voice for Mufasa), and half expected the referees to raise the Jabulani aloft to announce the arrival of the New Ball. Most folks simply observed, “I feel like I am watching The Lion King.”
There is a good reason for this. The score used by ESPN to frame its broadcasts was written by Lisle Moore, a Utah composer who had worked with the network in the past. Moore gave us muscular music for a sporting event, upbeat music for a media event organized around putting us all in the mood to buy a shirt, a ball, or a Coke. Layered over the orchestral swells are the oddly familiar sounds of African voices, or, I should say, African-sounding voices.